Plantation Quilting Guild 2017 Show

I had the opportunity on Saturday, Feb. 25th to attend the 2017 Quilt Show hosted by the Plantation Quilting Guild. It was a grand show! Quilts, vendors, raffles, dining and everything else that goes with a very successful quilt show! Having visited the guild several months ago I was so happy to see so many familiar faces!

Over 130 quilts were hung for the show, sadly I did not have the chance to photograph them all. The quilts below are just a very few of all the fantastic projects on display.

Poly Gone by Ann Lord, quilted by Amelia Poore-Bone:

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Metropolis,  entirely by Pam Walker:

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Land of the Free, entirely by Faye Griffin:

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Sampler With Leaves, entirely by Donnette Autrey:

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Gingerbread Love, entirely by Jimmie Dye:

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Stepping Stones by Carolyn Sands, quilted by Amelia Poore-Bone:

(Carolyn, excellent quilt! You got my vote for Viewer’s Choice!)

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Annabelle by Kathy Wootten, quilted by Amelia Poore-Bone:

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New Beginnings by Laura Murray, quilted by Amelia Poore-Bone:

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Deliciously Red, entirely by Karen Shively:

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A Touch of Home, entirely by Renee Eudaley:

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Congratulations to Renee, she served as the Committee Chairman for the 2017 Quilt Show!

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Tumbling Blocks, entirely by Renee Eudaley:

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Christmas Poinsettias, entirely by Karen Barrett:

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Catch a Falling Star by Donna Trusty, quilted by Amelia Poore-Bone:

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Are We There Yet? by Marivel Garcia, quilted by Verna Tannery:

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Poinsettia, entirely by Claudia Oswald: 

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It was wonderful to see this Special Exhibit! The “Golden Ladies” created the most beautiful quilts and I was touched to see this Guild honor their senior members! Bravo!

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While taking pictures I found 2 of these creative ladies! This is Pat Parrinello and her beautiful quilt:

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And this is Verna Tannery and her wonderful quilt:

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Don’t “ASP” Me to Make This Again by Ramona Morton, quilted by Faye Griffin:

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Graceful Baltimore by Patricia Parrinello, quilted by Diane Pelton:

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And have you noticed these excellent ribbons? They are Plantation homes!

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Congratulations to this awesome Guild for putting on a fantastic Quilt Show! Such amazing talent in this group!!!

Happy quilting and blessings,

Rhonda

ps: If you see things I’ve listed incorrectly, would you please leave the correction in the comments section, thanks!

The Journey through Second Chances

Second Chances, my hexagon quilt, was a work in progress from May 28, 2014 to July 4, 2015. I worked furiously on this piece in spurts, sometimes requiring several weeks of involvement in a completely different project to give myself a break from beading, ribbons, vintage linens and such.

You should know I have an addiction to Pinterest. If you’re wanting to see what others people are doing, get some serious inspiration or just pass the time, Pinterest is just the ticket!

While on one of my scrolls through pins I came across Sarah Lizzies Handmade. Check out her blog and while you’re there scroll way back to May 9, 2013 and prepare to be amazed!

Here’s the picture that – for me – started everything:

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I couldn’t wait to start! I had a nice size collection of vintage linens, doilies, handkerchiefs, buttons, ribbon and trims. I estimated her hexagons were approx. 10-12″ flat side to flat side. I knew I wanted to start small so I rummaged through my templates and found just the right size in this collection: Omnigrid Pandora’s Box by Sharlene Jorgenson. I’ve searched and searched Omnigrid to put a link to this collection of templates but it appears it’s not something that’s available any longer. Here’s a picture of my rose colored template:

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I’d never really worked with hexagons before, they’ve always kind of intimidated me. Well, no more! I jumped right in and began to cut and audition and stitch and embellish and in general had a blast!

I’m going to take you through the first 3 hexagons on Second Chances. Lots and lots of pictures so grab a beverage and let’s get going!

Hexagon #1: 

The yellow/orange machine embroidered flowers are from a ladies handkerchief. I laid my acrylic template directly on the hanky and, using a rotary cutter, cut out the entire shape of the hexagon. I then cut a single layer of machine embroidery cut-away stabilizer, weight 2.5. The weight of the stabilizer is very important. Don’t choose a stabilizer that is light weight, it will not provide the “stability” you’re looking for. At this point my hexagon layer is: white stabilizer, bleached muslin and the handkerchief cut to size. I then began to lay various pieces of white trims and eyelet lace directly on the hexagon. After moving them around a bit I was pleased with the arrangement so by hand I tacked them in place using  white thread. For all the beading work to come I use a #10 bead needle and Nymo white or ivory medium to light weight beading thread.

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In the next picture you’ll see lots has happened: I’ve embellished the stems and leaves of the white floral trim on the left with seed beads, I’ve embellished the eyelet trim on the lower left with seed beads and pearls and I’ve added a row of machine heirloom or decorative stitching to the area on the left of the pearls.

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Here’s a close up of the lower left side of the hexagon. Notice that the row of white beads are not all the same, I’ve alternated a white ceylon bead with an ivory.

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The bead embellishing continues with the addition of beads to the all white floral trim on the right of the handkerchief flowers as well adding the tiny metal dragonfly charms.

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Here’s the finished hexagon. Once all the embellishing/stitching etc. is finished, I back the piece with a single layer of 50/50 cotton poly batt (that I have preshrunk with a steam iron) and a layer of 100% cotton bleached muslin. I lay the acrylic template on the fabric and mark very lightly all the way around with a mechanical pencil. I then cut the backing muslin 5/8″ larger on each side. I center the embellished hexagon and batting on the back fabric, iron the back fabric edges once into the hexagon so that the raw edges of the muslin just barely meet the raw edges of the hexagon. Do this for each of the 6 sides. Fold the back fabric once more to the front of the hexagon, lightly set with an iron and hand stitch the edge down as you would a quilt binding, using care to mitre each of the 6 points.

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So, from the bottom up here’s a recap of the layers:

  1. bleached muslin
  2. 50/50 poly cotton batting
  3. machine embroidery 2.5 weight white cut away stabilizer
  4. bleached muslin
  5. vintage ladies handkerchief
  6. various trims/laces
  7. beads, pearls and charms

Almost without exception this is the layering I used on each hexagon throughout the entire quilt.

Hexagon #2:

I got so excited to begin embellishing that I forgot to take a true “before” picture. The picture below does give you an idea of what the green cross stitch edge of the luncheon napkin looked like before I began to add beading. I chose three different white trims to add to the napkin.

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Using an oval template I lightly drew around the cross stitched floral bouquet. Knowing there was probably no way I could evenly space the irridescent and the pink seed beads around the oval, I laid the white lace trim over a small part of the oval as a perfect distractor.

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I tried to repeat colors for continuity. There is one blue flower in the bouquet so I used blue beads on parts of the white trim. I repeated this concept for the additional bouquet colors.

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And here’s the finished hexagon!

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And finally, Hexagon #3:

Look closely and you’ll see that the trim I’ve used on the upper right edge is stained. Keep in mind for your own creations, it won’t be noticed. Again, I’ve used a vintage napkin, this time one with cut-work. I used the decorative corner on the napkin as well as two sections of edging. The decorative edge is placed point side down and centered on the white muslin and the edge work is inverted along both the botton right and left edges of the hexagon. Remember, save your little pieces, they can come in very handy to fill in a spot or two on your current or a future project.

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The picture below brings up an important point. Remember to mark 1/4″ all the way around your hexagon before you begin to embellish. You don’t want to try to make your final fold over binding/frame look polished if there are pearls, beads, ribbons, etc below. This 1/4″ is your guide: don’t embellish beyond this point!

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And finally, you don’t notice that stained trim in the upper right anymore do you! While initially it may have caught your eye, the embellishing now takes center stage. Can you see how the sky’s the limit when it comes to creating blocks from vintage linens, trims, etc!

Until next time, happy stitching,

Rhonda

ps: If you’ve made it this far and are wanting to know RIGHT NOW what the remaining hexagon blocks look like, if you’ll go to my Pinterest boards, look for the one titled: My “Second Chances: hexagon quilt… you’ll find 139 detailed pictures taking you through the entire process. Happy scrolling!

Rabbits Prefer Embroidery

One of the reasons I started keeping a detailed quilting journal is because I think I have such an excellent memory and I couldn’t be more wrong! Rabbits Prefer Embroidery bolsters this case. I have no idea when in the last 10-ish? years I made this little quilt top.

A Bunny Hill Designs pattern measuring 36 x 39″, I do remember this was a joy to hand embroidery. Here’s another mystery: did I see it done up somewhere in pastels or did I come up with the idea on my own? Who knows! Here’s a picture from the Bunny Hill website of the pattern done in red:

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Here’s my quilt top before the quilting began:

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Here’s my finished (well finished quilting that is) version of Rabbits Prefer Embroidery. Bunny Hill Designs show the finished project quilted in what appears to be 1″ spaced diagonal lines. I decided to do feathers in all the printed fabrics and parallel lines in the outside white borders.

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I’m thinking I’ll do the binding on one of the greens, I need to do some auditioning to make the final decision.

The larger areas of white in the embroidery blocks caused me considerable concern. They needed quilting but I wasn’t quite sure what to do that wouldn’t distract terribly from the embroidery. I finally decided a simple scallop mimicking the outer pink border would frame the rabbits nicely. In the larger blocks, after a lengthy phone conversation with mom, she suggested I repeat a few design elements to further fill in areas. You’ll notice in several blocks I repeated the green line of grass and small flowers to give the areas additional quilting. Two blocks now have a quilted sun and one block got a tiny quilted butterfly.

I used a “new to me” thread and I’m blown away! Wonderfil Deco-Bob 80 weight, color 104. Here’s the amazing thing about this thread: it takes on the color of what’s beneath it. Take a close look at the feathers quilted in some of the pictures below. It appears that I changed thread each time I quilted a different fabric! I used this thread in the needle for the entire project!

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By the way, here’s a shameless plug for ABM International, the makers in my Innova longarm! Love my machine! Another plug for my awesome dealer: Jo’s Quilting Studio

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I used a white 70 weight bobbin thread and you’d be amazed at how many yards of 70 weight thread can be wound on a size M bobbin!!  My backing fabric is a white woven poly cotton and I used 2 layers of Hobbs Poly-Down batting. My total quilting time on the project was 15 hours, 15 minutes, with the outer border parallel lines taking almost 1 1/2 hours.

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I’m thrilled to have this project this close to being finished! Hope you’ve enjoyed the pictorial journey!

Blessings and Happy Quilting,

Rhonda

Retreat: QGGH Style!

Oh La Grange, what a great town! My guild, the Quilt Guild of Greater Houston held their Winter Retreat once again at Camp Lone Star in La Grange, Tx. Oh what a place… It’s a Lutheran Youth Camp and as such it’s a fantastic facility to house 50+ crazy quilters who, like me, pack almost everything they own into their cars and head west for a fun weekend of quilting, laughing, eating, sharing and making new friends. By time Sunday morning rolled around I was so sleep deprived I questioned my ability to drive back to Houston. Luckily I had a great trip home where like most everyone else that attended – I collapsed!

I took lots of pictures at retreat this time. My goal was to feature work spaces, projects and sewing machines rather than cause people to shy away from the camera due to 4 day uncombed hair, pajamas and no makeup 😉

The amazing Jackie Hillman stepped up for the recovering Linda McNabb (get better soon Linda!) and taught a great class involving Crayola Crayons and Quilting. Look for the pictures below. There were so many different projects going on, too many to name. It was great to walk around and see first hand all the creativity. We have such a talented guild!

It was bittersweet to hand off the Jack’s Chain quilt. If you’ve been reading my blog you’ll remember this is the quilt my Monday Bee pieced and I quilted. I’ll miss seeing it here in my sewing room. It will be bound, a sleeve and label attached and will be a Live Auction Quilt at our upcoming Show.

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I enjoyed our trip into the Texas Quilt Museum where there are currently 32 IQA award winning quilts hanging. I’m thrilled that my quilt Second Chances is part of the display.

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Thanks to Keith Lund, our Lone Star Host. He always goes out of his way to make us feel like family! If you’re looking for a place to retreat, think of Camp Lone Star.

Hope you enjoy the pictures, oh, and don’t forget to mark your calendar for Thursday and Friday, May 5-6 so you can attend our Quilt Show at The Stafford Centre. See you there!

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Blessings to all and Happy Quilting!

Rhonda